• Riven@lemmy.dbzer0.com
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    5 months ago

    My problem with that is that it’s always the same descriptors for that unimaginable horror. Makes them boring if it’s always the same.

    • SSTF@lemmy.world
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      5 months ago

      Lovecraft’s stuff has that reputation, but on a listen through his works, he had a tendency to actually be properly descriptive when it was appropriate. I think it’s a case of later, lesser writers gloming onto to making things indescribable as a lazy crutch that made the reputation of the mythos like that.

      I think only ‘The Unnamable’ by Lovecraft really goes incredibly vague at a point where it should be describing the creature, but that story feels like a joke about this exact topic.

      • Riven@lemmy.dbzer0.com
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        5 months ago

        Yep, which for them it was fine cause they pioneered the genres but modern writers can’t coast on that.

          • MindTraveller@lemmy.ca
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            5 months ago

            Ada Hoffmann’s The Outside. Autistic lesbian theoretical physicist meets Lovecraftian horror.

          • SSTF@lemmy.world
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            5 months ago

            Michael Shea’s mythos stuff is pretty good I think. ‘Demiurge’ is a book collecting all his stories. He updates them to the then contemporary 1980s, keeping the elements of cosmic horror but putting them in more modern and relatable situations rather than attempting to make them period pieces.