Dialogue and movement in films and shows is so damn well rehearsed that I can never truly get immersed. Real conversations are awkward. We stutter. We fumble words. We forget people’s names, or what we were just talking about. Never for dramatic reasons. Just because we’re human. Script writers are hyper focused on fitting as much wit and humor as they can jam in there. I think some authors of books fall into the same trap. A 16 year old character somehow has the wit and wisdom of someone twice their age. I want more scenes made with genuine stumbling embarrassing awkwardness.
You know those moments where later people learn that the actor improvised the line? Or the movements? Best one I ever saw was Heath Ledger’s Joker failing to blow up the hospital.
[ He turns around. Well shit. Looks back at the device and mashes the button a few more times. Hospital finally blows up and he gets startled. ]
THAT’S THE SHIT. Give me more of that. Let me see the characters fuck up. Get uncomfortable. Make genuinely minor mistakes. Give me flaws. Give me something that isn’t witty. I’m tired of getting bashed over the head with polished scripts.
Animated movies tend to do this better to be fair. Lots to appreciate from the recent animated Spiderman movies for example.
This is one of the reasons I love the movie Fargo. The scene where the cop’s husband is eating cereal, she leaves and we sit with his crunching sounds for a bit, then she returns like “I forgot my keys” or something. I find that scene hilarious and the whole movie has lots of real moments like it.
I struggle with realistic dialogue where lots of people talk over each other tho, it gets very loud and incomprehensible very quickly, but that is usually the point of those scenes. I also struggle with that irl lol.
Takeshi Kitano is a Japanese director that likes to film actors when they are rehearsing scenes and then sometimes edits in those cuts as they feel more natural, he mostly does Japanese films but he did do an American gangster film called Brother, check it out
Dialogue and movement in films and shows is so damn well rehearsed that I can never truly get immersed. Real conversations are awkward. We stutter. We fumble words. We forget people’s names, or what we were just talking about. Never for dramatic reasons. Just because we’re human. Script writers are hyper focused on fitting as much wit and humor as they can jam in there. I think some authors of books fall into the same trap. A 16 year old character somehow has the wit and wisdom of someone twice their age. I want more scenes made with genuine stumbling embarrassing awkwardness.
You know those moments where later people learn that the actor improvised the line? Or the movements? Best one I ever saw was Heath Ledger’s Joker failing to blow up the hospital.
[ He turns around. Well shit. Looks back at the device and mashes the button a few more times. Hospital finally blows up and he gets startled. ]
THAT’S THE SHIT. Give me more of that. Let me see the characters fuck up. Get uncomfortable. Make genuinely minor mistakes. Give me flaws. Give me something that isn’t witty. I’m tired of getting bashed over the head with polished scripts.
Animated movies tend to do this better to be fair. Lots to appreciate from the recent animated Spiderman movies for example.
Heath Ledger Did Not Improvise in the Hospital Scene in ‘The Dark Knight’ After a ‘Mishap’
This is one of the reasons I love the movie Fargo. The scene where the cop’s husband is eating cereal, she leaves and we sit with his crunching sounds for a bit, then she returns like “I forgot my keys” or something. I find that scene hilarious and the whole movie has lots of real moments like it.
I struggle with realistic dialogue where lots of people talk over each other tho, it gets very loud and incomprehensible very quickly, but that is usually the point of those scenes. I also struggle with that irl lol.
Hah that’s why I love Adventure Time
Takeshi Kitano is a Japanese director that likes to film actors when they are rehearsing scenes and then sometimes edits in those cuts as they feel more natural, he mostly does Japanese films but he did do an American gangster film called Brother, check it out