I can’t remember details since it was in HS, but reading The Catcher in the Rye was a painfully slow and boring process. I didn’t get the story, the meaning, the struggle. It was a guy complaining about everything and being miserable and then I had to write a book report about it. Icky, icky, gross.
Maybe if I read it now it’ll be different but I dun wanna!
I enjoy reading unreliable narrators, and so while you’re totally correct. Holden is nothing more than an angsty privileged teenager who is angry at the world. That’s what made the book fun for me, at a certain point his self serving lies and his cringe attempts to act like an adult are just funny.
I’ve found it’s a good litnus test for people, just like Fight Club or Rick and Morty. You’re absolutely allowed to like these pieces, but if you think those charcters are admiral than it’s a super duper red flag.
Holden is nothing more than an angsty privileged teenager who is angry at the world
While that is true, you do have to consider that he is
Tap for spoiler
still devastated from his brother Allie dying.
Pride and Prejudice was the most unrelatable book I was forced to read in school. A rich, noble, Victorian family whose main problems are, while they are rich and noble, they are not as rich and noble as they’d like to be. They have no real skills or assets, so rather than pursue trade or business ventures, they put all their eggs in the basket of their daughters being able to swoon and marry the bachelors of richer, nobler, families.
As someone who does not live in Victorian England, grew up poor, and is generally bored when shallow romance is the main theme, that book was hell. It’s often praised for showing the differences between classes in that period, which makes zero sense to me because the only classes it compares are the Upper Class and the slightly less rich Upper Class. It would be like a modern book talking about the “struggles” of a family that only has a net worth of $100 million and how hard they have it compared to billionaire families. Boo-fucking-hoo.
I genuinely do not understand how that book is a classic. It’s basically Keeping Up with the Kardashians in Victorian times. It’s a trash story with trash characters and trash themes. It is the first, and only, book I felt compelled to burn once I was done with. I wouldn’t even wipe my ass with it.
I’ve gone back and forth on my opinion of pride and prejudice over the years, even held this opinion at one point. Like why the hell should I care about rich women who want to marry rich men?
Except taken in context, the book has a different meaning. Before Pride and Prejudice, there weren’t many stories about women in that time period. Since women in that class couldn’t really own property or run businesses, their lives depended on their family and ability to find a husband. Maybe what they experienced was banal by our standards, but it was life and death for some people, or the difference between a pleasant life and one of suffering. The stakes were high for something we treat as optional these days. It’s less or a morals story and more of an insight into social politics for women of the time, something that wasn’t widely written about until the book came out.
Is it good? That’s up to the reader. It’s unique and insightful literature, though.
It’s also not written ironically. It was genuinely written as the characters actually suffering due to their lack of obscene amounts of money.
I don’t remember what book it was but I walked into a metal pole reading it. I wasn’t seriously injured or anything but it was pretty embarrassing.
I am more of a naturalist and walked into a tree
Well it’s a series, but Three body problem. It should have been right up my alley, but I got so tired of every decision by every character being stupid that I couldn’t be bothered to read the last fifty pages of the last book.
Even if I charitably assumed the point of the book was to show that people are weak and stupid, the series was such a ham-handed strawman as to undercut its own commentary. And even worse, it had just enough interesting ideas to lead me to believe it was going somewhere worthwhile, but it never did.
It’s been years and I’m still pissed off that I wasted a week on it.
It’s not just that characters make stupid decisions, the same characters keep making the same mistakes and nobody ever learns from those mistakes or grows as a character. It’s so extremely frustrating.
Agreed- the series is massively overrated
Same. Gave up after trying for a year and a half. Made it through half the series.
I enjoyed those, but you’re not wrong. The author cited Foundation as his inspiration for the books, and it suffers from all the same problems. Interesting concepts told with cardboard cutout ridiculous one dimensional characters.
Well, two dimensional at the end
Not read the book, but isn’t it meant to be quite dramatically different in some aspects? I’m sure I heard that all those annoying young adults characters were invented for the show? Someone who knows can correct me on that.
Agreed though that the show was a pile of crap. I enjoyed the first couple and quite enjoyed the last in the season, but the in between was pretty awful.
I couldn’t tell you, TBH. I have only read the series of books.
Yeah, I recommend people don’t read that book, but do read the one chapter about the aliens, what is it, second to the last chapter of the book? That chapter is some of the best sci Fi I’ve ever encountered, the rest of the book… you can skip it.
Can you name the chapter specifically? I guess it will spoil a lot of the first book no?
It looks like that was chapter 33, Trisolaris: Sophon
If you want to jump in and read that chapter, all you need to know is this: >!the aliens are on a planet in the alpha centuri/proxima centuri trinary star system, the closest stars to the sun. !<
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I’m surprised you got tired of the stupid decisions if I’m honest.
I wasn’t aware the characters were making any.
We read Macbeth in high school, but they dragged it out over a whole year. It was so painful!
At my high school we had a teacher who had an advanced degree in Shakespeare studies, and she would teach a different play every quarter. They were great classes, but a single quarter was plenty of time for a very comprehensive look at each play. I can’t imagine stretching it out over an entire year and have it be anything but absolutely tedious.
That sucks. Macbeth rules so hard. We did it over a couple weeks in school and it was awesome.
I’ve really wanted to get into Stephen King’s Dark Tower series, and bought the first few books. I’ve never managed to make it through the first one, The Gunslinger, even though I’ve given it probably five or six attempts. I always make it to the same part in the book where Roland and the kid are using the hand-cart through the tunnels, and it just takes so. fucking. long. to get anywhere and for anything to happen, and my mind starts drifting as I’m reading and then I start missing things and have to go back… That section of the book is so frustratingly boring that I can’t make it through.
I honestly despise King’s longer novels. The Dark Tower series is the epitome of his inability to stay focused and well paced.
It’s like he set a goal of some ridiculous book length, thought he needed a bunch of padding to get there, hit the mark and abruptly ends it.
Give me Salem’s Lot, Carrie, Pet Semetary, etc all day but I can’t with Dark Tower.
The Dark Tower series is the epitome of his inability to stay focused and well paced
Probably in part because of the time span over which it was written.
I heard from quinn’s ideas is you have to be a pretty big reader of king’s other works in order to read the dark tower.
That’s pretty funny to me. I read the start of a King novel when I was probably too young for it (pretty sure it was It?), and just got bored with it. Never tried reading another for years. A decade or two later I tried the Dark Tower series and ended up binge-reading the first 5 books.
I really love those books, although I absolutely see their flaws and understand why people wouldn’t like them.
Either way, I definitely don’t think you need to be a Stephen King fan to enjoy them. I mean, I’m certainly not and I certainly did. Still haven’t read any of his other works…
Try listening to it as an audio book. It’s really great if someone else pushes you through the dry parts.
Be warned. There’s some real…racist choices made in the audiobook reading.
Are you referring to how he reads Odetta/Detta’s voices?
Definitely. I know it’s kinda written that way but I was not ready for that old man to fully lean into it. I was perplexed and wanted to turn it off.
I listened through that over a decade ago and that’s still what I remember most from that audiobook.
I agree that it’s uncomfortable, but I do think it was true to how it was written. I’m not sure I’d call it racist in the overt sense of the word, but as I white person, I’m not sure I’m qualified to make that judgement.
Some people just think everything is racist.
When I finished reading that I audibly laughed and said “You stupid son of a bitch.” and I couldn’t tell if I was talking to myself or directing that at Steve.
I did really enjoy the series but I don’t think I’m going to be reading it again.
Took me about 3 attempts to finish the first book. Skip it if you can’t finish it, that series is by far the best series I’ve ever read and nothing will top it
I’ve only attempted it once and can’t remember much of it except for those fucking tunnels being the reason I gave up also
Not one book, but almost all of Asimov’s Foundation series. The first one is one of my favorite sci-fi books of all time because I love seeing how each group has to use game theory to solve their own unique issue in order to survive and flourish as a society built on science and reason. While I admit that it’s not always written well, I love the mindset that Asimov wanted to emphasize: violence should be the last resort for solving conflict between nations. When the factions outside of Foundation threaten them with war, they respond with soft power like economic pressure, religious sway, and focusing on making better advancements to science and engineering to defend themselves by being too valuable to destroy.
The fatal problem with the series arises in Book 2 though. Book 2 (Foundation & Empire) introduces the interesting concept of “what happens when a massive wrench is thrown into the meticulously calculated 1000-year plan?” Unfortunately, you can tell that at this point is when the concepts of the story become too smart for Asimov to handle, and he instead begins his trend of doubling and tripling down on deus ex machina characters with mind control powers for the rest of the series. All of the interesting methods of sociopolitical problem solving are thrown out the window to become sub-par adventure stories.
Books 4 and 5 (Foundation’s Edge and Foundation & Earth) were written particularly poorly, and was probably the point where I should have cut my losses. The books follow not-Han-Solo adventure man, contain a sexist female sidekick that only serves to be a hot piece of ass for Asimov’s self-insert character to have sex with, and then has an extremely uncomfortable “happy ending” where a traumatized child is left to be groomed by a robotic parental figure so that the robot can one day mind-wipe the child and insert it’s own consciousness into their body. What’s more is that they completely ditch the core premise of the 1000-year plan, and the ending undercuts any direction that the story could have gone from there.
The prequel books 6 and 7 (Prelude to Foundation and Forward the Foundation) aren’t nearly as bad as 4 or 5, but they completely undermine the importance and intelligence of the character Hari Seldon from the first book. Instead of him being a great man and brilliant mathematician on his own, he’s essentially led around by his nose by undercover robots that are the secret architects of everything just because Asimov wanted to tie-in elements from his books about robots.
L. Ron Hubbard’s “Mission Earth” series. I was young, and I’d read damn near all the sci fi that my local library had, I was acught up on the Wheel of Time that had been published to that point (I think it was still about five books before Jordan died), and gave it a try.
It was fucking awful.
Given that I was maybe 12 at the time, that’s saying something; it was just trash.
Friends don’t let friends read Hubbard.
I read Dianetics and I’m still not “clear.” Must’ve done something wrong before birth.
Instructions unclear: thetans stuck in volcano
I read Battlefield Earth and actually enjoyed it, but in the same I enjoyed eg. watching Plan 9 from Outer Space (or the Battlefield Earth movie for that matter.)
It’s an abject piece of shit as a book, written late enough in Hubbard’s life that nobody dared edit him so there’s whole chapters that just sort of repeat, and many of its premises are so stupid it hurts, but its old-timey pulp scifi schlock feel was often very fun.
So yeah, not a good book by any definition, but it was sorta fun and also interesting to read knowing that Hubbard tried to inject his world view into it too. For example the reason why the Psychlo were so eeeeeevil was that they were ruled by the Catrists who’d eg. use psychosurgery or electric shocks to make Psychlos more compliant – knowing that Hubbard absolutely loathed psychiatrists, it’s not hard to see that Psychlo Catrist = psychiatrist.
My sci-fi lit class used to vote on what book we would do next. We once voted on Battlefield Earth partially as a joke, but we were also curious about how bad it could be. We regretted it.
I, too, enjoyed the gawdawful trash that was the Battlefield Earth movie. Yeah, it’s dumb, but if I only watched good sci-fi, that would be, like 50 movies total.
Maybe.
I’m pretty sure that one of my favorites, Event Horizon, would not make the list of good sci-fi.
Oo I love Event Horizon. It’s a bit of a scifi horror cult classic though isn’t it? Not exactly Blade Runner, but not Battlefield Earth either.
One of my favorite trashy scifi movies is maybe Saturn 3 (Zardoz doesn’t count!). It’s a godawful piece of shit featuring Kirk Douglas, Farrah Fawcett, and a baby faced Harvey Keitel. It’s astonishingly bad and great fun to watch, and there was some sort of fairly hilarious story behind how it got made too (I’ll have to see if I can dig up the blog post I read about it)
edit: there’s a whole website https://saturn3makingof.com/
When I was a kid I would read the sexy parts of the Illuminati and jerk off.
My brother caught me and ratted me out. Handing over the book was terrible.
I was reading a book at home at age 7, and then my dad slapped me in the bsck of the head.
I was expecting more answers along these lines. Slightly disappointed with the tangent that people’s answers have taken.
I was harassed at one job for reading a book during lunch
Atlas Shrugged.
There are very few books that have left me with a “This is the face of evil” impression. I tried to give it a fair shake, but this one did, alongside the fact that it devolves into stimulant-addled ranting.
Don’t get me wrong, I’m not inherently opposed to stimulant-addled ranting - I like On the Road, for instance - but it just left an awful taste in my mouth.
On the other hand, I enjoyed the Fountainhead, but I was young, usually stoned, and took away an ‘integrity of artistic vision’ interpretation that resonated. I do not know if this would survive a re-read.
I thought it was kind of interesting until the 50 page long rant that John Galt has where he explains why greed and selfishness is good, but all his arguments only work within the bubble of the made up, fantasy society that Rand created. I don’t know how anyone could read that and come away thinking “Boy, this sure is relative to modern society. I better base my whole ideology off of it!”
For anyone that didn’t know, Ayn Rand was a welfare queen 💅
Yep. I tried. Three times. Made it about 2/3 of the way through. Eventually just gave up. It is just sooooo bad.
I had the same experience with the Fountainhead. I read it when I was young going to an art school and saw the commitment to Roark’s artistic vision as heroic, despite hating brutalism and his general architecture style as described in the book haha. It was way too long but at the time I was ok with it enough to finish it. Then I found out more about the author…
It just now occurred to me: Anthem is a book about pronouns.
Dafuq is it with these people and pronouns?
Dante’s Inferno. It was full of footnotes explaining the context for all the references and allusions he made, which was important to have, but reading your way through a piece of literature and being stopped every few sentences for a lengthy explanation was so frustrating. I couldn’t keep a good pace up and kept getting lost in the details. My interest gave out and I still haven’t finished the last quarter of the book.
And there are two more volumes after that in the Divine Comedy!!!
That sounds like a problem with whatever edition you read. I had to read it a long time ago for school and the version we read was more like a short novel and I found it an interesting read.
These days I tend not to persevere with books that I’m having a bad experience with. There are just too many good books out there.
Poor writing sucks but even worse is when the author misjudges how much they can expect from the reader. Sometimes things can get ‘bad’ in a book for just long enough that the reader feels they have risen to a challenge and been rewarded at the next change. Some authors are aware of this and incorporate the dynamic but end up prolonging it too much or over-egging it. I actually feel abused as reader when that happens and end up rage quitting. Unfortunately, deleting an ebook doesn’t come with the same satisfaction as burning a physical one in those cases.
The other thing that is a bad experience for me is overly long dialogue expositions, where a character does an infodump to provide background and context and justify the plot. It totally jangles me, bores me and breaks immersion in the story by making me cynical about the authors laziness. An example of this is all the Librarian’s waffling about biblical stuff in Snow Crash. Rather than making me care more about the outcome of the plot it just yanked me away from what was a really enjoyable story and setting and destroyed the pace.
BTW, if anyone is interested; Bookwyrm is a fediverse platform for discussing and rating books. Much like a federated FOSS version of Goodreads.
Jane Eyre: Every moment of this book was absolute torture. I could never get into this genre of book but this book took the cake. It was like the reading equivalent of trying to force down a terrible meal without gagging because it would be rude. I actually devoted my time to speed read it just so I could finish it faster.
Wicked: It was just a lot of, “Oh god, this isn’t like the musical at all 😰.”
Life of Pi.
2 of my kids had to read it for school, I was looking for something to read, picked it up, they both said “NO, it’s so bad.” I thought, whatever, it’s a slim volume, short read, how bad can it be?
I want that hour or two back. They were right and I wish I’d never read it.
Never read it, but the adaptation - a.k.a. “Cinematography: The Movie” is an amazing watch as long as you ignore the plot.
And ignore the shitshow of a production
“The movie is good as long as you ignore the movie.”
They literally named the part of the movie that they appreciate.
It’s so weird, I’ve heard some people say this and I just don’t get it. It’s one of my favorite books.
